Artist duo Clark
Beaumont’s exhibition at Boxcopy ‘She’ll Be Right’ poses many a question about
how each and every one of us reacts to typical Australian stereotypes and think
of personal identity. Boxcopy, in the heart of Brisbane’s CBD, is housed in a rather
old-fashioned building with creaking stairs and high ceilings, which one
encounters before entering the exhibition space, setting the scene for a
fascinating experience. This time, one may marvel at the video production of
Clark Beaumont, the small room allowing for an up-close and personal encounter
with the video. Though short, the video is long enough to leave the viewer hanging
on what they have just seen, and watch it over and over again, not tiring of
the circular chain of events.
![]() |
Clark Beaumont: 'She'll Be Right', 2012 & still from 'Muriel's Wedding', 1994 |
The video is
reminiscent of renowned Aussie classics ‘Muriel’s Wedding’(1994) and
‘Priscilla, Queen of the Desert’ (1994) and New Zealand film ‘She’ll Be Right’
(2011), challenging what others may perceive as the Australian stereotype. Interestingly,
male voices are used throughout while the actors are both female. What is this
trying to say about gender roles and identity? Two girls run around in the
backyard of a house, and each woman comes out of the house one at a time, both yelling ‘Perry! Wake up to yourself’ at the two girls in the yard,
then storming back inside, slamming the door behind her. The Viewers then find themselves in a room
witnessing an argument between the same two figures, something along the lines
of: ‘It’s over my head now…it’s over your
head, too’. The third scene sees the two girls sitting under a tree at
sunset, chatting and gazing into the distance as if dreamily awaiting their
futures, dreaming of new places and pursuing lives beyond their reach. Perhaps these
references to Muriel’s Wedding is an indicator of the video’s use of the
Postmodern theme of ‘representation’ in that it mocks the extreme Australian
stereotypes seen in popular film and media by copying similar imagery. After
this initial recognition that intertextuality is at play here, the video
performance takes an interesting turn- one that will cause the viewer to
question their identity and assess their personal reaction to what they see.
![]() |
Clark Beaumont: 'She'll Be Right' , 2012 (video stills) |
What struck me as
quite unusual about this exhibition is that Boxcopy paid the artists to exhibit
in their space, which is not the norm for most Artist-Run Initiatives; usually
artists pay for a chance to exhibit in the space. Boxcopy certainly seems to
want to take an active part in advocating for, promoting and sustaining art
production and art appreciation in Brisbane. Not only this, but it also
reflects the artistic energy in this city, and its current surge in the
cultural field with QAGOMA of course, and areas like Fortitude Valley and
Paddington and Wooloongabba flourishing as artistic hubs. So, is Boxcopy worth
a visit? I think so! Grab a friend, and a coffee underneath the gallery, and
head on up and take a look. It’s worth your time. Post Datum finishes on the 20th
October, so be quick!
If you’re interested
in finding out more about Clark Beaumont, check out the Brisbane Emerging Arts
Festival (BEAF), and Current Projects (Brisbane):
If Sydney’s closer to
home for you, there’s a Clark Beaumont exhibition waiting for you there, too:
- Clark Beaumont: 'She'll Be Right', 2012 & still from 'Muriel's Wedding', 1994
- Clark Beaumont: 'She'll Be Right', 2012
Clark Beaumont- She'll Be Right, n.d., image, viewed 18 October 2012, <http://bneart.com/2012/10/06/clark-beaumont-shell-be-right/
Clark Beaumont Facebook, n.d., image, viewed 18 October 2012, <http://www.facebook.com/clarkbeaumont>
No comments:
Post a Comment